13 May 2017 | Fotbal

Las-o!

12 May 2017 | Woody Allen

Woody Allen pare a fi in turneu european

Dupa concertul din Spania de pe 8 iulie, iata ca s-au mai anuntat cateva concerte pe care Woody Allen si trupa sa de jazz le vor avea in Europa:

Anglia - 2 iulie

Portugalia - 4 iulie

Germania - 11, 12 iulie

Se pare ca vor mai fi si alte date, probabil nu si in Romania B-)

11 May 2017 | Muzica

La Familia feat. Connect-R – “Curaj”, un nou single de pe “Codul bunelor maniere”

Inca o piesa semnata Mihai Boldea (Mahia Beldo). Suna mai bine decat "FAK", dar nu depaseste primul single, "In realitate". Si parca tot e loc de mai bine...

10 May 2017 | Sex

Videochat la alt nivel

Cand am vazut stirea de mai jos am zis ca poate e o incercare bizara a unora de a face bani, ceva sortit esecului...

De curiozitate, am intrat pe site si - stupoare! - sunt o gramada de oameni care se prostitueaza online 24/7. Nu ma asteptam.

In varianta gratuita, site-ul nu-ti arata prea multe. Intr-o camera, o domnisoara aproape goala se uita relaxata la televizor.

N-am vazut din prima, dar la o privire mai atenta am observat - laptopul lasat aiurea intre cuverturile de pe pat, in imposibilitatea de a se aerisi corect. Pai de-aia se strica, domnisoara!

9 May 2017 | Muzica

Sute de euro pentru un bilet la concertele Rolling Stones din Europa

Am spus-o si o mai spun: mai avem cateva trupe si artisti si aia e, gata, s-a terminat cu muzica buna. Vorbim aici de Aerosmith, Rolling Stones, Guns N' Roses, AC/DC, Cranberries si Madonna.  Ma refer la creatori de muzica de calitate, nu interpreti de cover-uri (in ideea ca muzica e scrisa de altcineva) precum Rihanna sau antitalente ca Lady Gaga.

Asa ca ma bucur cand trupele care sunt la unul din ultimele concerte in Europa (si posibil din cariera) sa ceara bani multi pe un bilet. Oamenii s-au obisnuit cu lucruri ieftine sau gratis, iar efortul depus de o trupa pe scena, la varste de 73 de ani (Mick Jagger), trebuie sa coste mai mult de 50 de euro.

Tarile sunt alese pe spranceana, astfel incat costurile sa fie mai usor de acoperit de catre fani: Germania, Austria, Elvetia, Italia, Spania, Olanda, Danemarca, Suedia si Franta.

Locurile din fata scenei, inconjurate practic de limba scenei, in No Filter Pit, sunt cele mai scumpe. La concertul din Barcelona, un bilet acolo costa 290 de euro+27 euro taxe. Urmeaza Zona A la 122 euro+14 euro taxe si Zona B la 86 euro+9 euro taxe. Iata si alte preturi pentru zona No Filter Pit:

Germania - 800 euro (numai cu pachetul "Start Me Up")
Olanda - 235 euro
Danemarca- 335 euro

Ce include pachetul "Start Me Up"?

One Incredible General Admission Floor Ticket in the ULTRA-Exclusive No Filter Pit
One Limited Edition The Rolling Stones Tour Lithograph
• Limited Edition Tour Lithograph Based Upon Original The Rolling Stones Artwork
• All Limited Edition Lithographs Printed on Heavy Weight, Acid Free Fine Art Paper
The Rolling Stones VIP Travel Pack
• Created Exclusively For VIP Package Purchasers - Includes Items You’d Take “On the Road”
• Travel Pack Contains an Assortment of Exclusive The Rolling Stones Themed Merchandise
• Includes a Commemorative VIP Laminate & Matching Lanyard

Biletele s-au dat ca painea calda, multe categorii fiind deja sold out. Deci sunt semne ca muzica buna e inca apreciata, desi e din ce in ce mai putin prezenta pe radio sau la TV.

Din pacate, Rolling Stones nu ofera si pachete cu meet&greet, mi-ar fi placut sa-l provoc pe Ronnie la o tabla :D

Am vazut Rolling Stones live pe Lia Manoliu acum 10 ani, intr-o zi cu multa caldura, cu mult alergat si foarte putina hidratare. Au fost peste 60.000 de oameni si a fost superb. Daca nu i-ati mai vazut in concert, merita mers prin Spania sau Olanda, s-ar putea sa nu mai aveti vreo alta sansa!

Inca un film de la Woody Allen in 2018

La 81 de ani, Woody Allen nu se resemneaza, nu dezarmeaza in fata batranetii. Pe 5 septembrie, genialul regizor si scenarist incepe lucrul la urmatorul sau film. Intre timp, astept cu interes "Wonder Wheel", care va avea premiera in Romania candva la inceputul toamnei.

Intr-un interviu recent, Woody a spus cateva lucruri despre felul de a lucra si multe alte chestii foarte interesante...

On working with studios:

When I make a film, I like the people backing the film, sometimes the studios, to put the money in a brown paper bag and then go away. And then six months later I give them the film. That's the way I've always been able to work, having complete control of every aspect of the film. I wouldn't work in the film business in any other way. I would stop working in films if I didn't have that. So it came to a point where the studios would say to me, "Look, we're not banks. If you're asking us for $12 million, we want to read your script, we want to know who you're casting, and we want to have some input. We're not just bankers." I, on the other hand regard them as at best bankers, if not criminals, and I said, "No, you can't read my script and I'm not interested in your input." I said this politely… And they said nicely, "Get lost."

On making films outside the U.S. after "Match Point":

I went to England and they said, "We'll give you the money and we're bankers. We don't care about input. That's all for the studios."…And then I found they wanted me to come back and do another one. And then I got a call from France and Spain and Italy and different countries and they said, "We'll give you what you want. Make a film here." So I was riding high. I was going to the great capitals of the world, taking my family — we would spend the summer there living high off the hog — and I'd be making the films I wanted to make. Then we found some suckers in the United States who were willing to play ball with me and put up the money and let me make the films exactly as I've always made them, and so I came back to the United States and I've been bankrolled the proper way now.

On losing distributors' money:

I've survived through many, many years without every getting into that hit-flop syndrome. I could make three or four films in a row that don't make any money and still go on to make my next film because I'm working inexpensively, so nobody gets crippled by the amount of money I lose for them. Maybe they lose a few bucks, but usually they break even or make a few dollars. They don't get rich, either. It doesn't matter if I have a hit or a flop. I'm not in that game. I make films for a different reason, so I've been very lucky.

On working with Amazon Studios:

Amazon is a perfect example of a company that's so successful that someone like me is peanuts and chump change. These guys make billions. They're worth billions and billions. So I come along and I make films for a pittance. So they can reach in their pocket and say, "Give it to him and shut him up," and I make my film, and if it makes a few dollars you don't even notice it on an Amazon ledger. And if it loses a few bucks they couldn't care less. And the people up there like the quality of my work. They like the films. Not everybody does, but they do. So they feel no pain with me and they're happy to give me the money and let me do my thing, and maybe I'll give them a nice film… A company like Amazon, that falls under the rich, patron-of-the-arts sucker group.

On his track record as a director:

If you had bet on me from "Take the Money and Run" until now, and bet on each of my films, you would have made money. You would not be rich, but you would have made money over the years because most of them in one way or another have eked out a profit. Some have not, but those that have not have not been devastating.

On "Annie Hall" being overrated:

For some reason, that film is very likable. I've made better films than that. "Match Point" is a better film. "The Purple Rose of Cairo" is a better film. "Midnight in Paris" is a better film. "Vicky Cristina Barcelona" is as good. For some reason ["Annie Hall"] has some charismatic inexplicable hold on people. That, and "Manhattan." All over the world "Manhattan" plays all the time… Through sheer surprise to me, ones that I think are perfectly delightful nobody is interested in, and another one that I think is fine, they're ultra interested in.

7 May 2017 | No comment

Ca sa nu pierzi nimic

Dezamagire la panelul “Umbre” de la Comic-Con 2017

Actorii din "Umbre" au venit la Comic-Con fara ca noul sezon sa fi inceput pe HBO. Cu alte cuvinte, au venit cu mana goala - nici macar jumatate de episod in premiera, nimic. Si nici n-au putut sa raspunda la multe intrebari ca sa nu dea vreun spoiler.

Asa ca a fost o mare abureala si publicul a inceput sa se plictiseasca dupa vreo juma' de ora de discutat despre nimic.

Un singur lucru am retinut - regizorul si scenaristul Bogdan Mirica este un tip arogant. Sau cel putin asa pare din interactiunea pe care a avut-o cu publicul.

Astept noul sezon din "Umbre" si o sa incerc sa ma uit si la "Caini", filmul lui Mirica, tot pe HBOGO.

Panel “Show de seara” la Comic-Con 2017

Majoritatea celor implicati in proiectul "Show de seara", serial ce ruleaza la Comedy Central, au fost pe scena la Comic-Con 2017. Din pacate, lumea nu a fost foarte interesata si comicii de pe scena nu au avut cu cine sa interactioneze. Mi-a placut Vio, care chiar s-a straduit sa fie o gazda buna a panel-ului. La final au fost 4 numere de standup ale unor comici mai putin sau deloc cunoscuti, cu care nu am rezonat absolut deloc.

Mai jos e un clip pe care l-am inregistrat (cu telefonul de pe ecranul din sala) pentru ca nu a fost dat pe TV si nici pe net, deci nu cred sa mai existe in forma digitala pe undeva. Si e misto :)

Un script pentru a viziona toate canalele Digisport in acelasi timp

Daca sunteti pasionati de sport si vreti sa urmariti toate canalele Digisport in acelasi timp pe computer, exista posibilitatea de a imparti ecranul in 4 parti si de a incarca in fiecare cate unul din stream-urile gratuite de pe digisport.ro (gratuite numai pentru abonatii RDS).

Dupa ce deschideti fisierul .html din arhiva de mai jos, trebuie sa dati click in fiecare fereastra si apoi sa navigati cu sagetile (scroll down) pentru a ajunge la butonul de fullscreen al player-ului.

Dupa ce ati facut fullscreen toate cele 4 playere, apasati F11 si browserul va intra in modul fullscreen. Pentru a va intoarce la modul windowed, apasati din nou F11.

Merge numai pe Firefox.

Download script Digisport 1+2+3+4